![]() ![]() After the resolution and a rapid chromatic ascent over four octaves in both hands, the piece comes to a despairing conclusion via a bold plagal cadence in the minor mode: very different in character from the plagal cadence for the "Amen" at the end of a hymn, which is invariably in major. This final section incorporates dizzying arpeggiated flights up and down almost the entire keyboard, suspended by a climactic series of nine ten-note chords (E ♯ diminished seventh (with diminished third), augmented sixth chord in root position, secondary leading-tone chord of tonic B). The lead-in to the dramatic, virtuosic coda is similar to the approach toward the Molto più lento, but slightly different (as it is with Chopin's Second and Third Scherzi). Then the beginning presto repeats itself in the familiar minor tonic. The two chords from the beginning reappear, superimposed over vestiges of the middle section. The B major area dissolves as the harmony mysteriously changes character via secondary dominant. Chopin quotes here from an old Polish Christmas song ( Lulajże, Jezuniu / Sleep, little Jesus) the tempo in this section is marked Molto più lento. Near the center of the piece, the music leads into a slower section in B major finally one hears a tangible melody in the middle register, surrounded by accompaniment in both the left and upper right hands. At tremendous speed, a series of dramatic outbursts in the B minor tonic follows. ![]() This first Scherzo takes A-B-A-Coda form and begins with two chords in fortissimo. ![]() It is complex and considered to be one of Chopin's more difficult works. The piece begins with the tempo marking Presto con fuoco. As to the genesis of this Scherzo, little is known beyond the 1835 publication date, though it is presumed to have been completed around 1833. 20, is a composition for solo piano written by Frédéric Chopin and dedicated to Thomas Albrecht. ![]()
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